I wandered over to Powell’s Books recently (a perk of living in Portland) and was delighted to discover Will It Blow? featured in the kid’s section of the store. Elizabeth Rusch (aka Scriva Liz) wrote this nonfiction thriller on Mt. Saint Helens at about the time that she was organizing Viva Scriva in 2006. How did our writers’ critique group get started? Click here to see what Liz has to say.
I had little to do with Will It Blow?, as I recall, because the book was launched in the spring of 2007, when Viva Scriva was getting its sea legs. Still, sitting on the shelves at Powell’s, Will It Blow? felt like family. I felt the urge to kvell. And I so did.
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Sketch by Scriva artist and writer Addie Boswell, 2010
Today is the summer solstice, the official start of summer. The elves at Ooligan Press are turning the manuscript for Seven Stitches into book form, and I get a breather. I’m not exactly sending my muse on vacation. The truth is that she and I are already discussing the next story (she does most of the talking). Still, for the nonce I am deadline free, and I want to use some of this time to introduce you to each member of the current Viva Scriva, the writer’s critique group that continues to nurture, cajole, advise, suggest, sympathize, guide, goad, and otherwise keep me writing and keep me sane. Over the summer and maybe into the fall, I’ll be devoting blog posts to each of these Scrivas, so you can get to know them and their work. You are in for a treat! […] Continue reading
This first week in May brings to mind the liberation of the concentration camps at the end of World War II. The Nazis had exterminated an estimated 11 million people because of political or religious affiliations, sexual orientation, or physical or mental disabilities.
Six million of these people were Jews.
Some were members of my family.
I have yet to write about those Holocaust years, although The Ninth Day (companion novel to Blue Thread and the forthcoming Seven Stitches) spirals between the free speech protestors in 1964 Berkeley and the Jewish granddaughter of Rashi in 1099 Paris, in the aftermath of the Crusader attack on the Jews of Mainz. The story touches on survival and guilt, on speaking up, and on the power of song.
The main character in The Ninth Day speaks up as little as possible to avoid stuttering. She would have admired Aaron, the boy who stutters in Anna Olswanger’s Greenhorn. […] Continue reading