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The Ninth Day

Berkeley, California, 1964. While the Free Speech Movement rages, Hope, a shy, stuttering teen scarred by an accidental LSD trip, plans to keep a low profile. Risk compounds reticence when she meets a time-traveler who claims that Hope must find a way to stop a father from killing his newborn son in 11th century Paris.

Companion novel to award-winning Blue Thread.

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“The story is riveting… and, speaking as someone who was arrested in the Free Speech Movement, the Berkeley sections feel true and authentic.”

—Margot Adler, NPR correspondent

“Reading this book… [reveals] constellations rich with story, myth, and magic.”

—Jen Violi, author of Putting Makeup on Dead People

Ruth's Blog: The Interlace Place

margot_adler

Today I put aside my competition with the construction crew of The Janey II. No way can I write the next scene in Book Three, as I remember Margot Adler, who took time from her life last year to write a review of my most recent book, The Ninth Day. She called the story “riveting.” Who could ask for more?

Still, I did.

I was hoping to meet Margot in person this fall during the reunion of participants in the 1964 Free Speech Movement. I wanted to thank her again, this time in person. I wanted her to autograph one of her books, Heretic’s Heart. I wanted, and I wanted, and I wanted.

Margot and I are not destined to meet in this lifetime, as she died yesterday. From what I understand of Margot’s Wiccan beliefs, she has made the crossing into another aspect of the continuum which, now that I think of it, is not so different from the universe-eternity olam I write about in Blue Thread and The Ninth Day. […]

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Janey-apartments

The construction crew has been busy since early July, and so have I. Look at all these apartments-to-be in the Janey II. Their erector-set walls and ceilings will turn into living spaces for someone, real homes with a kitchen and bed and bathroom, and maybe a corgi curled up on a corduroy couch.

I’m building habitations, too, only not the physical kind. These last couple of weeks I’ve laid down the basics of four chapters in which Book Three characters talk and eat and tease and grieve. Like the Janey II apartments, these chapters of mine need a lot more labor before I’m satisfied that the characters in them are fully alive. I’ll have to add more emotion, more action, more color, more atmosphere. Then Viva Scriva will have a go at the chapters. By the time we’re done, there won’t be a corgi on the couch (no dogs are evoked in Book Three, at least not so far), but I can tell you that my characters will be moving about in a world as complete as I can make for them. […]

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Second-floor

Look! A new floor! The Janey II construction crew has covered up the foundation and basement areas and taken the building to a whole new level. Of course not everything is perfect below decks. There’s still lots to fill in. But it was time to move on.

My sentiments exactly! I’ve spent months laying the foundation for Book Three and drafted and revised the first main chunk of the story. There’s about 15,000 words on Portland in 2059. For two weeks our main character, who is eM Zarfati in this draft, languished in action limbo between leaving her house in Portland and landing 500 years earlier in Istanbul. Finally, she’s where she’s supposed to be in the story.

What was it like in Istanbul in 1559? I mean really. The history writer in me needs to get this part as accurate as possible, to balance off time travel and fictional characters. […]

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